Certo, puoi inviare il testo che desideri tradurre. more
Forget about "don't talk about love," here we definitely talk about it. And I think I've figured out why it's the least appreciated among the white albums: among all 5, this one draws much more from pop music, creating absolutely catchy songs like the title track, yet they remain difficult to understand. It's a bit like what Una donna per amico was for the period with Mogol, an album that tries to create a new kind of pop. The album itself is fantastic, the melodies that Battisti creates are stellar, and the lyrics manage to discuss love issues in a bizarre way (and in this, I ritorni is the most fitting example). 9/10, many should reevaluate it. more
Epochal. more
A well-supported denunciation text overshadowed, however, by the vocal power of Perry. more
Not very original, although quite likable. more
Text along the lines of What’s up? more
Remarkable ballad. Beautiful lyrics, engaging. more
Beautiful only the chorus more
Blues to the rhythm of the railway. more
Magniloquent and classicist, a great album for the prof, perhaps a bit atypical but more mature compared to the previous ones. The title track and "Sabato stelle" are the best of the lot. more
An extremely interesting avant-prog album with math influences and the very particular voice of the singer Charlie Locker. A gem to be savored. more
Despite the indifference of their recent works (which I found forced), this pleasantly struck me. In some ways, the passage of time is palpable; it’s undeniable. Mimì's voice has changed, it has lost some thickness and warmth, but not its peculiar expressiveness. The others in the group no longer have that slightly angry grit from the past. Resignation is the theme of the album, perfectly balanced between lyrics and music that harmonize well with the voice. It makes me think of the Massimo Volume of Da qui or Lungo i bordi but in a more mature key (age-wise speaking). It was seriously the best Italian album of 2019, and not just of that year. #forse more
A film about a director making a film about Sigmund Freud who couldn't overcome the Oedipus complex. I don't know about you, but for me, it’s brilliant. And after forty years, it’s still incredibly relevant, which is almost impossible for a film from that era. more
Dreamy ballad with the return of the arches. Distorted at the end. more
We return to the distorted blues. more