I'm not completely convinced by everything on this album, including the interludes and the Girotondo, but for the devil, I'm sure it's De André's first masterpiece. To come out in Italy in 1968 (!) with an album so steeped in death and darkness, to release "Il cantico dei drogati," "La ballata degli impiccati," and the final recitative and choral piece in '68... I can't give it less than a 5. This album fully demonstrates the historical importance and revolutionary impact he had on Italian music.
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