I didn't experience their "golden period" (thankfully), and as a result, I feel indifferent towards them. Aside from one mediocre track, it doesn't seem to me that they've done anything to deserve the countless praises. There you go, I hate Wonderwall. I despise that shitty song on a visceral level. more
What can I say, guys? I admit my ignorance, but knowing legendary bands like Genesis or Yes, I listened with trepidation to this penultimate album by BBT. Grand Tour has dispelled all my hesitations, making me acknowledge that I am facing a true musical masterpiece. Listening to VOYAGER, the penultimate track of the album, made me jump in my seat as I attempted an impossible imitation of the truly devastating drummer. In a word, sublime—pair them with Pendragon, and I'm sure I haven’t said anything foolish. See you soon, friends. P.S. The only sour note is the recent passing of the singer David Longdon due to an accident. R.I.P. more
The other side of "Achtung Baby," which serves as its little brother. It doesn't have the stroke of genius, the revelation, and the immediacy of its predecessor, but to me, it's still a great album. Darker and more electronic, less accessible, but it boasts at least 4-5 really beautiful tracks: the title track, “Numb,” “Lemon,” “The Wanderer” (a stunning rendition by Johnny Cash), “The First Time,” but especially “Stay,” which for me is one of Bono and co.'s absolute best pieces, the soundtrack to “So Far, So Close” by Wim Wenders. more
I call them the Silly Vanilli. I used to call them the Mannequins. I give the wardrobe a 1. more
The new Céline? more
The greatest prog-metal band of all time is putting it mildly. Miraculous! more
Certo, puoi inviare il testo che desideri tradurre. more
Forget about "don't talk about love," here we definitely talk about it. And I think I've figured out why it's the least appreciated among the white albums: among all 5, this one draws much more from pop music, creating absolutely catchy songs like the title track, yet they remain difficult to understand. It's a bit like what Una donna per amico was for the period with Mogol, an album that tries to create a new kind of pop. The album itself is fantastic, the melodies that Battisti creates are stellar, and the lyrics manage to discuss love issues in a bizarre way (and in this, I ritorni is the most fitting example). 9/10, many should reevaluate it. more
Epochal. more
A well-supported denunciation text overshadowed, however, by the vocal power of Perry. more
Not very original, although quite likable. more
Text along the lines of What’s up? more
Remarkable ballad. Beautiful lyrics, engaging. more
Beautiful only the chorus more