Gianni Celeste
He and Murolo are the leading figures of Neapolitan song. more
Luciano Ligabue
A great act of humility when he gave up the number 9 jersey and chose the 1+8. more
Toe Fat -Toe Fat
A band founded by singer and leader of the Rebel Rousers, Cliff Bennett, who for this new project surrounds himself with some young and talented musicians, who had already been playing together for about a couple of years: Ken Hensley, Lee Kerslake, and John Glascock, all of whom would prove themselves over the course of their careers. This self-titled debut with its very strange cover, somewhat surreal and somewhat metaphysical, is the quintessential Rock/Soul/R&B album of the era, with some hints of Blues and Rock/Pop Psych-Acid, of course, the most typical stuff that could be played in those years. And, not being particularly essential in terms of songwriting (we're not talking about a masterpiece here, after all), I understand why it didn't break through; however, it remains a nice record, without a doubt, very fun and enjoyable to listen to, well-played and featuring all good songs inside. The cover of "Bad Side of the Moon" by Elton John is beautiful (recorded almost simultaneously with the release of the original single), and a song like "Just Like All the Rest" is interesting where a lovely flute predominates, a presence that, in this type of album, seems quite indebted to those Jethro Tull whom Glascock will get to know much more closely 7 years later. For the rest, there are beautiful songs of passionate white Rock-Soul, driven by Bennett's wonderful voice, one of the album's strong points. Glascock's bass stands out in the sound, which is a good and fitting thing. more
Betty Davis -Betty Davis
A true masterpiece, for me one of the peaks of Funk and in general one of my "must-have" albums from the '70s. The hardest, most acidic, fiery, and gritty Funk you can imagine is all here, blended and soured between Acid-Rock and the toughest Soul, birthed from the super hot pen of the former Mrs. Davis, accompanied by amazing musicians, including the rhythm section of her beloved Sly & The Family Stone (a gigantic Graham on bass and Errico on drums, who also produced the album). You can never get enough, and I actually recommend the version with the three bonus tracks because they are three more unmissable gems; just listen to "I Will Take That Ride," with its street-cat sensuality. Wonderful. "Game is my Middle Name" is a funk/funk-rock ride of a lifetime. Incredible giantess of '70s music. Thank you for all of this. more
Enzo Jannacci -Ci vuole orecchio
Listening again to the new vinyl reissue (which I got just because). "Si vede" doesn't sound like a track from that time; for being from the early 80s, it's very ahead of its time. The record has remained a nice gem, as is customary. more
Dire Straits & Mark Knopfler -Private Investigations - The Best Of DIRE STRAITS & MARK KNOPFLER
What better to recover if you’re looking for a collection that combines Knopfler as a solo artist and with Dire Straits? more
The Smiths
A group able to transform sadness into beauty like no other. more
Mahmood
Who is this? They don't seem very sharp. more
J-Ax
Too good. more
Juventus
Ozainda. more
Negramaro
Haw! Haw! Haw! more
Yoko Ono
True. Unfortunately. more
Deftones -Koi no yokan
Really a great record, for me it's clearly their best along with "Cavallino Bianco," in fact, maybe I prefer this one by a hair over the pony. "Koi No (ZioKan)" is the classic perfect album, beautiful from start to finish, inspired in all the songs, incredibly tight and completely homogeneous in the quality of the tracks, without a single dip or wasted moment. It essentially has the same compactness as the previous "Diamond Eyes," which is also an album that doesn't have any real weak points, but with a much higher average quality of the songs, in my opinion. A vibrant and exciting album; if I had to choose favorites among the songs, well, maybe I'd mention tracks like "Leathers," "Entombed," "Rosemary," but the choice could easily fall on three other songs; it wouldn't change much. more
Black Sabbath
To be listened to strictly at maximum volume. Extraordinary, to say the least, especially in the live version. more
Screaming Trees
An authentic journey through grunge and psychedelic rock. The last three albums, in particular: immense. more
Judas priest -Unleashed in the east
Great live show, very beautiful. Performances faithful to the studio versions, with no room for improvisations or various modifications, but with the great energetic drive of a live performance, and it’s something special. Some tracks shine incredibly ("Victim of Changes" "Genocide" "Hell Bent for Leather") and the live rendition of "The Green Manalishi" is really excellent, kept here in its vibrant rock/hard/blues song format, almost as if to respectfully distance itself from the live performances of Green’s Mac, where that piece, and others, became a river of bewitching and brilliant guitar improvisation, blazing with fire. Fire and flames are not lacking here either, anyway. With the version of "Beyond the Realms of Death," the album opens and closes with tracks from "Stained Class." Excellent live, an energetic drink. more
Mogol
4 stars, but only for what he wrote with Battisti and for the prestigious collaborations with others until the '80s. For the rest, many average songs and lots of lows. more