Pink Floyd
Here they are, the Punk Floyd, the best punk rock band in history! more
The Beatles
Immense more
Deep Purple -Machine Head
Here for me are two masterpieces: "Lazy" above all, where even just the electric shock in the intro of Lord's Hammond makes the whole album worth it, and it's generally a great display of the band's talent. Then there's "Space Truckin'," another of their impeccable and immensely fun hard rock tracks, spiced up by the vocal screams of the original Jesus Christ Superstar. As for the rest, I still like it less than various other albums of theirs; somehow, despite being beautiful, I find it flatter and less imaginative than their other records (from Mark II or I or III). Oh, don't get me wrong, it's their greatest collection of evergreens, right? (from Highway to Smoke, which may have become overexposed but was and remains a great rock song) and there are also some so-called minor songs that I appreciate quite a bit ("Pictures of Home"), but in my taste, it doesn't hold up to the two previous ones, sticking to the lineup with Gillan. Here they also focus on the classic ballad with "When a Blind Man Cries" (which was missing, for example, on "Fireball," which wasn't lacking in moments of splendid melodic lyricism), which is the best example of my overall consideration of the album: it's beautiful, seriously, a beautiful song, but it lacks that spark, that glimmer, that something, to make me truly love it, which it isn't. more
Gianni Morandi
The Acoustics' Boss (2.75/5) by Monghidoro more
Chris Cornell
No one sings like you anymore more
Metallica
They’ve pissed me off. more
Werner Viola
Contemporary more
Pullman
When I was in middle school and high school, I used to take them very often. more
Deep Purple -Fireball
One of my favorite Purple albums, let's say a wooden medal, immediately after the podium. There's stylistic variability and plenty of imagination, along with shivers from melodic inspiration. Two masterpieces, however: the title track, which stands among their perfect hard rock, and "Fools," which is one of the best songs that Nerodipiù, Lord, Glover, and the gang have ever composed, wonderfully varied, with those beautiful "stop and go" moments, the hard-rock-blues structure of the vocal part, the delicate intro, and the central solo by Blacky (one of the most beautiful and evocative in his repertoire, with great melodic sweetness, almost sacred in tone, or between the sacred and the ancient minstrel-electric, but we know that Blacky is fixated on certain things), simply stunning. For the rest, the average quality of the tracks makes me prefer it to the next one, in addition to the greater variety (the slightly exotic-psych atmospheres of the beautiful "The Mule," and may Lord be blessed, the classic rock-blues but with a slower-melodic insert by Nerodipiù in "No No No," and even "Anyone's Daughter," another experiment far from the main coordinates of Marco Due, but which I consider a delightful diversion). Truly a great album, the only thing that sucks here is the cover... more
Pullman
The acoustic (and folk) side of the Tortoise. Pleasant, but not essential. more
Styx
They compose catchy and straightforward tracks in a clear AOR style but distinguish themselves from their peers by enriching them with solutions of clear progressive origin, the latter being so massively present that they almost challenge their status as an AOR band; they appeal to both factions, pleasing true rockers as well as proggers. more
Pink Floyd
After Man and before God there is their music. more
genesis -archive #2 1976-1992
Stuff for super-obsessive, ultra-completist Genesis maniacs. In the first disc, amidst tracks that I couldn't care less about and a few obvious aggressive garbage (the utterly detestable "Peiperleitdemmerda"), there are, however, some interesting gems, most of which provoke heavy swearing for not being included in those damn albums that, without some excess nonsense, could have been at least decent records... Visible Shit foremost. Imagine that disgrace of an album with a couple of its songs cut out and with "Feeding the Fire" and "Do the Neurotic" in it, especially the latter, a good instrumental, incredibly PLAYED (considering they barely even bothered with that), fun, engaging, damn it, but even back in '86 they recorded decent music (not that they're masterpieces, but they’re pretty nice). Also interesting are the "Naminamu/Submarine" which should have formed a suite with "Dodo/Lurker" on Abbacabbo. In the second disc, various live tracks of massively schizophrenic quality (ranging from a gem like "Ripples" to the infamous queen of #illegalsongs), making it entirely pointless (there are other live/bootleg recordings that contain the same songs). In the third, more useless live tracks and at least another nice gem: "Open Door" by Rutherford, from the 1980 sessions, one of his best songs, when his melodicism was sweet without crossing into the overly sappy. more
Gianni Bella
A beautiful representative of our local romanticism. With Giulio, he has written beautiful things. I feel sorry for his personal situation, but he remains a talented singer-songwriter. more
Paul McCartney -Cold cuts
When the unreleased tracks are better than some originals more
Paul McCartney & Wings
Great Band or Ghost Band?
To future generations the difficult verdict more
Radiohead -Ok Computer
In my opinion, one of the best albums of the 20th century. more
Coldplay
Coldstronzi, who are as much bastards as you can get.
What fucking faces they have! more
yes -Talk
Do we have good AOR? more
The Rolling Stones
Rock is not art but merely an expression of human misery and depravity. more