If only grandpa Benito were still around, the BREBEMI wouldn't have been needed; we would all have gone to Milan by helicopter. With our “beautiful” corrupt politics, we're in deep trouble and we'll only get deeper. Come back, grandpa Benito! more
Extraordinary, superlative, the number 1. Better than Nicholson (No. 2) and De Niro (No. 3). more
when you hear her laugh, it's like taking Guttalax more
Together with "Overkill," it forms a deadly duo!
One of Lemmy's best albums! more
One of the most "drinkable" works from my favorite crazy geniuses. Drinkable, of course, applied to the Melvins. So here we go with smoothness, featuring genius oddities complete with horns ["Bar-X-The Rocking M"], funeral marches from heroin addicts ['Goggles"], deformed pop songs ["Skin Horse," beautiful] and even a sort of lullaby ["Black Bock"] that induces dreams that are anything but golden... I love them. more
My judgment is solely dictated by the work, ENORMOUS, created by our band together with that band from Washington DC; I don't want to delve into their previous experiences. For those who may not know, the band ENORMOUS corresponds to the simple name of FUGAZI....And together REPEATER FUGAZI FOREVER!!!!! more
Husker Du: Do you remember? It’s easy for me to recall, exactly thirty years ago, when I first listened to this MONOLITH: I was 17 and I was literally struck by the opening sequence "Something I Learned Today"-"Broken Home, Broken Heart," which then gave way to the heart-wrenching, in its simplicity, "Never Talking To You Again." And I will NEVER stop loving the album, the masterpiece by Bob, Grant, and Greg: "One of the ten commandments of Rock," as my friend Lewis Tollani put it. more
Unknown to most... but this gentleman played like a god. Left us too soon... more
Beautiful, especially the three central songs and some parts of the suite (AHM). more
Doom more
E noi abitualmente dormivamo sulla spiaggia qui, dormivamo tutta la notte... non lo fanno più. Le cose sono cambiate... vedi. Non dormono più sulla spiaggia. more
This album is for me the pinnacle of the thirty-year production of the Australians; a record that represents the ideal and elegant summary of their sound: a perfect intersection of Rock, Pop, and Psychedelia, with New Wave references that are highlighted in songs like "Under The Milky Way," "Blood Money," "North, South, East and West." But it’s the superb "guitar-driven" pairing of "Antenna" and "Reptile" that rises above the rest, thanks also to the splendid voice of Steve Kilbey... Refined... more
Who the fuck are these idiots? I just wanted to define the actor! ONE damn it! more
Useful as the intimate part of Susanna Tamaro. more
I'll be super basic: "Child In Time" in the famous live version from the album "Made in Japan"...Cornerstone...Nothing more to say. more
They did great things, they started as an incredibly interesting project in its sadistic process of distorting a hallucinogenic and delirious baroque pop and deliriously varied noise-afro-psych-electronic (the masterful second album 'Here Comes The Indian')...a process that culminated in the beautiful acoustic textures/melodies reminiscent of a Brian Wilson committed in a mental institution on 'Sung Tongs'. Then, for me, they terribly lost their way...what a shame. more
Big pig. more
The demonic dance of the assembly line. more
Every word would be superfluous... more
For me, it remains the 'discone' by Golpfrapp, an immense work that requires repeated and focused listens on the scenarios created: absurd, cinematic, and stylish that this project manages to convey. more