Probably the worst actor ever. He doesn’t make you laugh, doesn’t make you cry, doesn’t move you, isn’t brilliant: in short, he’s nothing. Compared to him, the Premiata Ditta of Pino Insegno are the Marx Brothers. more
It wasn't enough to deal with the bullshit about charity, now they've even sold their asses to Apple. More fake than a 30 euro bill. more
Like a fucking rush of adrenaline. more
HE HOLDS THE POWER OF DISCRETION AND ELEGANCE. ANTONIONI TOLD OF ALIENATION FORESEEING SOME FUNDAMENTAL ISSUES OF THE PRESENT FUTURE; SURELY THE BLACK AND WHITE AND THE LONG TAKE HAVE MADE IT VISUALLY SLOW AND ALMOST INEXPRESSIVE AT FIRST IMPACT; BUT THE ORIGINALITY AND THE EVOLUTION OF HUMAN THOUGHT IN CINEMA CANNOT BE CALLED INTO QUESTION WITHOUT THE CONSTANT USE OF WORDS BY M.A. more
A TOTAL DIRECTOR ONCE, TWICE, AND THREE TIMES, FUELED IN THE NARRATIVE STRUCTURE BY A GREAT I.A.L. DIAMOND. more
Great pop group... that, thanks to "Odessey and Oracle," has nothing to envy to the much more lauded Beatles. more
Great arranger more
Every time I hear these sons of bitches, the murderous instinct rises in me. more
Few, very few groups can boast the sonic extremism of Brutal Truth; a music that has, since its inception, sought to blend, and succeeded in doing so, Grindcore, Death Metal, Hardcore, Thrash, and Noise...NEED TO CONTROL...Evolutive. more
An EP of just 7 tracks for 19 minutes of great Music. A record that marks the beginning of a journey for the trio: going beyond the uncompromising hardcore of their early days. Released in 1983 by the SST label, it opens with a pair of songs, written by Bob, of undeniable "physical" impact: "Real World" and "Deadly Skies". But it’s Grant’s two tracks that kick off the journey leading them to chart new musical coordinates: "It's Not Funny Anymore" and the poignant "Diane"...SACRE SCRITTURE... more
their METAL is very okay. these are the ones I like, not the cavernous screaming maniacs. their song ROCK AND ROLL is a masterpiece. 5 just for that. It kicks more ass than Lemmy with his abscess does than a thousand scary painted assholes. more
Not your usual Dream Theater clone band! Thrash metal-inspired riffs, delicate yet dark moments, choral choruses with a clear AOR influence, electronic effects sprinkled here and there, sporadic guitar and keyboard solos, and few lengthy instrumental sections... A mix of fairly original elements, they have their own style! One small flaw, forgivable: they've hardly shifted their sound even slightly. more
Unfortunately, I've seen very few of his historical films (aside from L'allenatore nel pallone, 1 and also 2), I'll make up for it... Essentially, I know him mostly as Nonno Libero... It's certainly not his most comedic role, but just hearing him when he gets angry with the Marti and the lines he comes up with is enough to understand that he’s quite a character! more
Anyone familiar with me knows that I don't particularly appreciate this band. But for some strange reason, I quite like this hefty brick, and not a little. Even though I haven't put it on in eons. This is 'Nursery Cryme'. Chapeau Peter. more
Perhaps the 5 most obvious balls I've ever thrown. The initial quartet places them forever in the pantheon, but then they also made another couple of good records and a great live album. Among the best of all time, forever. more
The swan song of heavy metal. more
A splendid debut for one of the greatest singer-songwriters ever, English or otherwise. An album almost entirely featuring acoustic guitar and voice, composed at just 19 years old and already so beautiful. What a wonderful voice he has, and what a songwriter, Martyn. 4, because it becomes a bit monotonous over time and because he would go on to create even greater albums, but I really like this one a lot. Destined for great things. more
Inferior to the debut, but it boasts two absolute gems from the PFM repertoire: "Appena un Po'" and "Geranio." Beautiful are also the march-like tunes of "Generale" and the title track. 5 tight balls, maybe a 4.5 rounded up for excess. Nevertheless, a great album. more
It's impossible to give less than five stars to a band that, citing the title of one of their albums, asked for forgiveness from mom for not taking out the trash!!! And then they were from Minneapolis; and then they covered a song by Kiss...Let It Be... more
January 1987; two and a half years after "Zen Arcade," it’s still a double album that marks, tears and all, the conclusion of the band's career. "Warehouse: Songs and Stories" is its title. Almost seventy minutes, twenty songs: Vince Bob 11 to 9 against Grant...and that is the drop that will lead to the final break. But the album doesn't suffer from it, with a heart-stopping opener, that prophetic "This Important Years" right from the title. "She Floated Away," "Could You Be The One?"...I should name them ALL...THANK YOU!!!!... more