Cover of Deafheaven Roads To Judas
ilTrattoreRagno

• Rating:

For fans of deafheaven, lovers of shoegaze and black metal fusion, metal enthusiasts seeking emotional and intense music
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THE REVIEW

"Senseless" melancholy at epic levels, in psychotic frames".

"Violet" opens the Deafheaven album, a guitar weaving a sad and gray canvas of clear shoegaze, until the blackmetal explosion, a crazy and continuous crescendo on the edge of a shining razor, blastbeats rushed from a cliff, bridges of guitar echoes and an ending closure that says goodbye to Burzum.

"Language Games" is a pearl of screamoblackmetal, infinite tensions, illusory mid tempos, moments of pure suspension in mid-air, these guitars hurt at the mere thought, harmonizations in suspension, almost "U2-like" melodies dancing on frantic double pedals, and then an atomic silence that explodes on the walls of the mountains of madness, it's despair in a raw state. "Unrequited" is a vain illusion of peace, an incomplete armistice, pierced by crazy guitars and a voice soaked in pain.

"Tunnel Of Trees" is the gigantic gate that closes the doors of this mental care institution without windows, guitars ever tenser, drums ever heavier, the voice now abandoned to its destiny, dissolving in a sea of echoes of beauty, infinite guitars.

California has a black sun.

 

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Summary by Bot

This review praises Deafheaven's Roads To Judas for its powerful fusion of shoegaze and black metal. Tracks like 'Violet' and 'Language Games' showcase intense guitar work and emotional depth. The album delivers epic crescendos and raw despair, making it a standout metal release.

Deafheaven

Deafheaven are an American band formed in San Francisco in 2010 by vocalist George Clarke and guitarist Kerry McCoy. Known for blending black metal with shoegaze and post-rock, they broke through with Sunbather (2013), followed by New Bermuda (2015), Ordinary Corrupt Human Love (2018), and Infinite Granite (2021). Early work appeared on Deathwish Inc., with later releases on ANTI-.
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