David Axelrod
Song of Innocence

Anyone who hasn't listened to this album should do so as soon as possible.
"Song of Innocence" is undoubtedly one of the masterpieces of instrumental music from the '60s, a true concentration of ideas, and often unpredictable, unexpected harmonic/melodic solutions.
The seven compositions that bring it to life unfold within an apparently monochromatic rhythmic conception that, however, quite cunningly infiltrates with numerous variations, ultimately resulting in something thoroughly enjoyable.
Psychedelia, rock, jazz, fusion, funk, baroque pop: Axelrod's music seems intent on transcending any predetermined limits, encompassing the most diverse styles.
From the first to the last track, you get the impression of being on a journey, a true trip through the colorful lands of an unrestrained imagination, and the almost symphonic—or at least orchestral—character of the entire album only heightens this sensation.
Making comparisons is difficult; this sound is so personal, and unique, that it's rarely associated with that of other artists, although—in only a few places—it vaguely recalls certain works of Serge Gainsbourg.
Heavily sampled in the '90s hip hop world, the album has helped enrich the music of artists like Eminem, Jay Dee, Pete Rock, Jurassic 5, and many others.
One of the tracks I particularly recommend is "Holy Thursday," a majestic, powerful groove supported by a hypnotic and sensual beat, featuring a fantastic electric guitar solo with a lysergic tint.
A masterpiece that rewards the attention given to it with years of repeated listening and inevitable satisfaction.
Highly recommended.