German doom-metal band that released two studio albums in the early 1990s (1992 and 1993). Praised for heavy, Sabbath-influenced doom, varied drumming and the vocals of Christian Martens.

Reviews note strong Sabbathian influences, slow heavy rhythms with fast interludes, prominent guitar work, varied drumming (including double-bass passages), occasionally overshadowed bass, and lyrical themes mixing medieval paganism, religious depth and occult/Celtic imagery. Two albums reviewed on DeBaser are widely discussed and the band ceased releasing material after the second album according to the reviews.

German doom-metal band active in the early 1990s with two studio albums (1992, 1993). Reviews praise heavy, Sabbath-influenced doom, varied drumming and strong guitar work. Christian Martens' vocals are frequently noted. Lyrics mix medieval paganism, religious depth and occult/Celtic imagery.

For:Fans of doom metal and listeners who appreciate heavy, Sabbath-influenced sounds and medieval/occult lyrical themes.

 Ultimately, an album that I would absolutely recommend to lovers of the genre, from my modest point of view an absolute masterpiece.

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 The album is technically perfect, the guitar solutions and the structures of almost all 12 tracks are set in ad hoc, yet... something is glimpsed and unsettles us among the magma of notes that serves as the background to this (in my opinion beautiful) album, but it is not the typical sadness of classic Doom, nor the refined symphonic-compositional sophistication of orchestral Gothic.

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