Crash Worship is an American experimental/noise performance collective from San Diego, noted in reviews for ritualistic, tribal percussion, chaotic audio-visual shows and deconstructive studio recordings such as Triple Mania II.

Formed in the late 1980s, Crash Worship are known for intense, ritualistic performances combining percussion, noise and visual elements; their output and live shows are widely described as confrontational and visceral.

DeBaser hosts a highly enthusiastic review of Crash Worship's Triple Mania II that praises their ritualistic, tribal percussion and ecstatic noise. The review frames the group as an experimental San Diego collective from the late 1980s/1990s. The writing is vivid, celebratory, and describes the recordings as apocalyptic and visceral.

For:Fans of experimental/noise music, ritual percussion, and confrontational performance art.

 Fierce idolaters of the most dark, pagan, union/clash of the indefinable acoustic, the San Diego, caustic, deconstructors Crash Worship, were a miraculous, spasmodic, audio-collective composed of two "keyboardists/noise-makers", three clangorous and tribal percussionists, various "singers" and animators, hence the sound-conductor, Jeff Mattson (who "self-celebrates" in the delirious "Bring Me The Head Of J. M.") on the "mega-lyre" (a kind of distorted, excessively elongated harp); in and since the late eighties they represent(ed), with no marginality of error, one of the most bizarre, unintelligible, and masterfully "OUT" audio (and visual) outfits ever produced by the (quite) underground stars and stripes panorama.

  Discover the review
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