A Slovenian duo composed of musician Peter Penko and vocalist Katrin Radman noted for an industrial/electronic sound that blends sampling, drum machines and post‑modern layering.

The reviews state the duo made a decisive entry in the mid-1990s; their debut album was Dies Irae and the follow-up Eleven: Eleven received strong praise for improved loops, sequences, sampling and rhythmic variety. Influences cited in the review include Metallica, Nine Inch Nails and Bauhaus.

Coptic Rain is presented in the reviews as a Slovenian duo (Peter Penko and Katrin Radman) rooted in industrial and post‑modern electronic traditions. Their album Eleven: Eleven marks a stylistic maturation from their debut Dies Irae, with improved use of loops, sampling and varied rhythms. Standout moments in the review include a praised cover of Virgin Prunes and the instrumental "Videodrome." The review rates Eleven: Eleven highly and positions the duo within Central European post‑modern currents.

For:Fans of industrial rock, EBM, post-modern electronic and experimental sampling-based music.

 More versatile, self-aware and "projecting" towards new horizons of "virtual music" and multimedia "performance art," this "Eleven: Eleven" is so far the best achievement the duo from this corner of Central Europe has managed to realize, but perhaps it also hints at a truly impressive talentlurking behind the "wall of sound" of each song: that of its authors Peter and Katrin.

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