The prog-metal undergrowth is inexhaustible!
It indeed feels like we're back to the times of “Images and Words” when the metal market appeared to rediscover a certain way of combining technique and feeling in the service of ambitious compositions capable of moving within multiple genres.
The Norwegians Circus Maximus belong to this new prog-wave that, thanks to the recent successes of Symphony X and Pain of Salvation, gives new life to a genre always followed by fans, even here by me. After all, the strength of compositions like the opener “Sin,” powerful, dark, modern in sound, between oriental suggestions and pompous openings, or like the epic “Glory of the Empire,” blessed by almost folk arrangements, between flutes and acoustics, and with a class-pomp vein worthy of certain Arena, stands there testifying to the real value of ours. The shadow of Kamelot seems to hover over the acoustic-ballad “Silence from Angels Above,” while the two final tracks close the album with a bang: the title-track, martial and symphonic, almost cinematic, articulated in its 19 minutes, seems to pay the right tribute to their muses, while “Haunted Dreams” plays hide and seek with the specter of Queensryche!
The guys all seem very young, hence some naivety; but the quality of their offering is beyond question, good for the aficionado and the newcomer alike!
Recommended 5/5
The foundations for a great band are all there, I hope (and believe, all in all) that the band will also find a way to distinguish itself a bit more from their predecessors.
An album I feel like recommending to fans of more straightforward Prog metal, without too many frills.