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I will not repeat the tedious historiographical process on the local music schools, a process that elsewhere (despite myself) has made my review work irreparably soporific; I merely wish to point out the release by Tzadik (in 2004, I am a bit late) of that extraordinary avant-garde work that is Christopher Adler's "Epilogue For A Dark Day"; at first glance, he is not a character that makes an impression: intellectual eyeglasses and the air of a know-it-all boring lecturer, more or less the appearance that some site users imagine for yours truly (who instead has a beard and hair down to his shoulders, but let's not digress...); and indeed, he is truly a professor, holding a Composition professorship at San Diego University, where he is making an impact with a research path that (I am not afraid to say) has very few equals: from New York to Tokyo, his name is becoming increasingly familiar to insiders and beyond, for his bizarre yet formidable ability to... combine European scholarly harmony and Thai folk music; but in a completely "heretical" and anti-linear way, faithful to an absolutely individual path. Discover the review
I will not repeat the tedious historiographical process on the local music schools, a process that elsewhere (despite myself) has made my review work irreparably soporific; I merely wish to point out the release by Tzadik (in 2004, I am a bit late) of that extraordinary avant-garde work that is Christopher Adler's "Epilogue For A Dark Day"; at first glance, he is not a character that makes an impression: intellectual eyeglasses and the air of a know-it-all boring lecturer, more or less the appearance that some site users imagine for yours truly (who instead has a beard and hair down to his shoulders, but let's not digress...); and indeed, he is truly a professor, holding a Composition professorship at San Diego University, where he is making an impact with a research path that (I am not afraid to say) has very few equals: from New York to Tokyo, his name is becoming increasingly familiar to insiders and beyond, for his bizarre yet formidable ability to... combine European scholarly harmony and Thai folk music; but in a completely "heretical" and anti-linear way, faithful to an absolutely individual path.
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