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The combo between Maso's isolationism, here just a bit more refined than the usual bastard noise, and the persistently horrid faux-rhythms (“Pulse on Pulse”) angers and excites, unless one is simply exhaustedly cheering on “Insect Voice” and “New Dawn for Crystal Planet”, little more than a minute where the mere resonance of one of the world’s most hardcore musicians is a non-spatial echo that leaves knees trembling. Discover the review
The combo between Maso's isolationism, here just a bit more refined than the usual bastard noise, and the persistently horrid faux-rhythms (“Pulse on Pulse”) angers and excites, unless one is simply exhaustedly cheering on “Insect Voice” and “New Dawn for Crystal Planet”, little more than a minute where the mere resonance of one of the world’s most hardcore musicians is a non-spatial echo that leaves knees trembling.
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