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❝ By the end of the listening, having overcome the initial surprise and perplexity of what I had heard, I began to understand the sense of the operation carried out by Chilliwack: the first part of the album was dedicated to the almost encyclopedic roundup of rock subgenres most popular in the early 70s (blues rock, hard rock, country rock, prog rock, ballad), while the second part of the album was intended for the deconstruction of the already heard sounds, the abstraction of the song and its dissolution into the sound produced by voice, piano, hands, and flute, in a return to the pantheistic dimension of music origins, as perhaps the Canadian group intended in that distant 1971.
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