French film director and screenwriter; reviewed here for Il processo Goldman.

Works primarily as a film director and screenwriter; credited with directing Il processo Goldman (reviewed here).

The review praises Cedric Kahn's Il processo Goldman for its precise evocation of 1970s France, strong performances and a gripping courtroom focus. It highlights inconsistencies in witness memory and questions about prejudice and operational police inefficiency. The piece ultimately defends the presumption of innocence.

For:Readers interested in French cinema, courtroom dramas and historically rooted political films.

 It must be acknowledged that the state of French cinema is good if a film like "The Goldman Trial", which fits within the judicial genre with action strictly confined to a courtroom, manages to keep the audience's attention.

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