"Infanticide" by the Roman double bassist and current travel companions "Sudoku Killer" is a dark object that feeds on contrasts. A sonic vortex, it moves with admirable ease, without tearing, from jazz to noise rock assault, noir cinematic reflections, and cold math calculations.
A sort of John Zorn who has definitively quit speed, maybe just smokes some weed to relax and reflect.
Violent and melancholic. Rough and velvety. A gentle caress followed by a violent punch to the stomach. Informal dress and ripped jeans.
A fast reckless driver, not very mindful of right-of-way, guides me with ease among musical genres that I would have easily overlooked if taken individually, and believe me, that's no small feat.
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