Carlo Gesualdo (1566–1613), Italian late-Renaissance composer and nobleman (Prince of Venosa), celebrated for highly chromatic madrigals and expressive sacred music; historically noted for murdering his wife and her lover in 1590.

Gesualdo is renowned for extreme chromaticism, abrupt dissonances and expressive word-setting in his madrigals and Tenebrae responsories. He published multiple books of madrigals and sacred works, often for five voices, and is a central figure in studies of late Renaissance harmonic practice.

The provided review praises Gesualdo's extreme chromaticism and daring dissonances in five‑part madrigals. It highlights sharp rhythmic contrasts, declamatory gestures and oxymoronic texts as central expressive devices. Gesualdo is presented as a pinnacle of late‑16th‑century madrigal art.

For:early-music listeners, choral enthusiasts, students of Renaissance music

 CARLO GESUALDO, THE SAME DISSONANCE IN MUSIC AS IN LIFE. FIVE-PART MADRIGALS THAT CLASH AND CREATE EDGES AND ANGLES WHERE HARMONICS GRATE.

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