Cover of Camper Van Beethoven Popular Songs Of Great Enduring Strenght And Beauty
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For fans of camper van beethoven, lovers of alternative and indie rock, enthusiasts of genre-blending music, and those nostalgic for '80s alt-rock.
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THE REVIEW

A day like any other, in search of my fix. I find this album for €4.90. I had vaguely heard about them somewhere. Okay, I'll take it. I slide it into the car's CD player.

Love at first listen. And I wonder: at 34, am I still allowed to get excited about an album? It seems so, because the blend of psychedelia, folk, roots, ska, country, punk, and damn rock'n'roll orchestrated by these tough guys led by David Lowery (later in Cracker) overwhelms and crushes me. It had been since the days of "Crooked Rain, Crooked Rain" by Pavement that an alt-rock album from the stars and stripes convinced me so much.

It opens with "The Day That Lassie Went To The Moon": slacker pace, drunk Beach Boys-style harmonies, and above all else Lowery's desperate voice singing about that little dog that went up there. "Opi Rides Again/Clubmed Sucks" begins with a country-flavored march, sinks into a Stooges-like nightmare, and then becomes a hardcore shard, with the SST logo materializing on my stereo's display. Damn, this is flying high.

With "Sad Lovers Waltz" I get emotional, I see myself at twenty with a Guinness in hand, inside a provincial town's pub with a cigarette hanging from my lips (and yes, I'm part of that generation that smoked indoors), with this damned drunken country song bouncing in my eardrums, and don't start that dance, you fool, because it's the waltz of sad lovers. The Camper warned me, but I fall for it again. And so be it.

And still. "Good Guys And Bad Guys" reconciles me with the world, now I'm all smiles and easy harmonies, I shout it at the top of my lungs out the window, the Pixies jamming with the Byrds, and I am happy.

What else can be said? "Take The Skinheads Bowling" is the perfect pop piece, "Eye Of Fatima" has a desert-like flavor that almost makes you feel the sand in your mouth (and a damn good bass line, oh yes), "Ambiguity Song" possesses a pathos I hadn't felt in years, Lowery's suffering voice sends shivers to the brain. And then that damn violin (played by Jonathan Segel). Always present, always spot on, always doing the right thing.

I've arrived. Park, turn off the stereo. I have that silly grin on my face. My partner won't understand, but I don't care. I am in love.

This is an anthology released in 2008 by Cooking Vinyl. The Camper is a group active since the '80s, recently reformed.

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Summary by Bot

The reviewer experiences an instant connection with Camper Van Beethoven's anthology, praising its eclectic mix of psychedelia, folk, punk, and rock. Standout tracks like "The Day That Lassie Went To The Moon" and "Take The Skinheads Bowling" showcase the band's unique style and emotional depth. The album evokes strong nostalgia and marks a significant influence in alt-rock. The presence of Jonathan Segel's violin is highlighted as a key element. Released in 2008, the compilation reflects the enduring power of this reformed '80s band.

Camper Van Beethoven

American alternative rock band formed in California in 1983, led by David Lowery with key collaborators including Jonathan Segel, Victor Krummenacher, and Greg Lisher. Known for an eclectic mix of folk, ska, punk, psychedelia, and roots—often dubbed “surrealist absurdist folk.” Signature highlights include Take the Skinheads Bowling and Eye of Fatima, and albums such as Our Beloved Revolutionary Sweetheart (1988) and Key Lime Pie (1989); the group reunited in 1999 and remains active.
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