Cover of Butthole Surfers Locust Abortion Technician
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For fans of alternative and experimental rock, lovers of avant-garde and underground music, listeners intrigued by quirky and boundary-pushing albums
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THE REVIEW

The third LP by Surfisti del Buco di Culo is dedicated to the most shameless, fun, creative, and wacky parody of blues-metal. The opening track, a semi-cover of Black Sabbath (the famous "Sweet Leaf" transformed for the occasion into "Sweat Loaf") opens with a touching dialogue between father and son:

Daddy, what does regret mean?
Well son, the funny thing about regret is
That it's better to regret something you have done,
Than to regret something you haven't done.
And by the way, if you see your mom this weekend,
Could you be sure and tell her SATAN SATAN SATAN!!!!

Ha ha ha ha, um. To be honest, the Black Sabbath cover isn’t anything shocking but once it’s over, what an amazing mishmash of blasphemies!
Behind a splendid cover image lies a better-produced and at the same time more entertaining and accessible album than the previous ones. A fierce, schizophrenic masterpiece.

Among the eleven tracks, the only one that approaches a normal song is "Human Cannonball", a melodic rock'n'roll with a '70s aftertaste, truly cool. As for the rest, this gang of lunatics throws themselves headlong into the most unrestrained madness. They are killer clowns: funny but deadly, closer to the monster from "It" than to real circus clowns. They ravage music shamelessly and do so with impressive seriousness, delighting in hurling incendiary bombs and shovels of steaming dung at the unsuspecting listener. From start to finish they don't miss a beat, whether they're building walls of unbearable noise or indecently defacing oriental music (see "Kuntz").

In "U. S. S. A. " an insane falsetto voice obsessively repeats the acronym for the entire duration of the track. In "The O-Men" a psychopathic cannibal utters incomprehensible phrases, and in response, the instruments go completely berserk. "Pittsburgh to Lebanon" is an aggressive distorted blues telling a degraded story of sex and blood. "Graveyard" is a sort of voodoo-metal with highly twisted guitars. "22 Going on 23" is the disturbing confession of a raped girl. Among these and other atrocities, Gibby Haynes performs spectacular vocals à la David Thomas and roars worthy of a werewolf.

Drawing inspiration from a wide range of sources (Beefheart, Pere Ubu, Cramps, Flipper, Chrome, Dead Kennedys, and Red Crayola to name a few), Butthole Surfers have coined a new language that will soon become highly imitated, but most importantly, they have performed the noble act of elevating burps and farts to an art form.

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Summary by Bot

Butthole Surfers' Locust Abortion Technician is a fiercely creative and schizophrenic album known for its wild experiments with blues-metal parody and noise rock. Featuring inventive covers and twisted originals, it mixes dark humor with intense musicality. The album stands out for its improved production and unforgettable vocal performances. True fans of experimental and underground rock will find it both shocking and entertaining.

Tracklist Lyrics Videos

03   Pittsburgh to Lebanon (02:29)

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04   Weber (00:35)

05   Hay (01:50)

06   Human Cannonball (03:51)

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08   The O-Men (03:27)

09   Kuntz (02:24)

11   22 Going on 23 (04:23)

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Butthole Surfers

Butthole Surfers are an American rock band from Texas, frequently described as hard to categorize for their mix of hardcore, psychedelia, noise, and surreal provocation, with a strong performance-art reputation.
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