American stuntman and film director, longtime collaborator with Clint Eastwood.

Directed Pink Cadillac (1989) and Any Which Way You Can (1980). Worked extensively as a stunt coordinator and second-unit director on many films with Clint Eastwood.

The provided review considers Pink Cadillac a minor, almost minimal episode in Clint Eastwood's career, set in neon-lit casinos with Bernadette Peters as a disinhibited femme fatale. The critic reads the film as emblematic of a declining Hollywood macho epic and as marking the end of Eastwood's classic action-thriller persona. Neo-Nazi villains are described as soulless and unintentionally comical, and the film is compared to later directors' renewals.

For:Film enthusiasts, Clint Eastwood fans, students of 1980s cinema and critics

 Almost intriguing part, in the neon-lit scenario of the casinos. A sort of disinhibited femme fatale (Bernadette Peters), with a beauty that is not artificial, imperfect.

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