• Rating:
Brief pre-review statement: "The right has also conquered Debaser, the Editors have refused my request for euthanasia, I had already submitted this review in the form of a one-sentence review, with the aim of getting so many ones and negative comments that I'd lose the desire to write, a sort of harakiri, but my review wasn't published, and I find all this really undemocratic. However, I accept the thesis of a friend of mine who claims that the review wasn't published because it would have negatively influenced many users, perhaps leading them also to write one-sentence reviews and all this would have lowered the quality level of the Debaser reviews; my review would have been bad publicity, deserving censorship." UhUhPanicoUhUh
Conformist and "standardized" review for Feedbacker.
Feedbacker is a single song lasting about 45 minutes, but it's not in the style of "Absolutego" nor in the style of "Sun Baked Snow Cave," it's played, it's more in the style of "Jerusalem" by Sleep, but much more varied.
Part I: drone doom intro by the beautiful Wata, a gorgeous woman possessed by the spirit of Jimi Hendrix.
Part II: Approximately 15 minutes of pure Post Rock, where Wata with her Heavy on velvet style makes you dream over a sweet melodic and fairy-tale-like rhythm (like the singing, after all) from bassist Takeshi in guitarist mode, while Atsuo (crazy, mad but above all virtuous drummer, with a license to scream whenever he pleases) warms up..
Part III: the intro is concluded, and we arrive at pure Doom. Wata forgets she has a face with very sweet features, she forgets she has really graceful manners and starts playing a riff so heavy that it makes me compare it to the Cathedral’s "Forest of Equilibrium," while Takeshi switches to bass and shows you that having both guitar and bass at hand is like being God, it makes you master to change events at your pleasure; it's like knowing martial arts better than Bruce Lee, you can beat anyone (if your enemy has no guns), a simple feeling of supremacy, and the singing transitions from fairy-tale-like to horror, while the drummer has already started banging hard...
Part IV: the Feedback. It’s the protagonist on this record and reigns supreme for 10 minutes.
Part V: ending in a slight fade, revisiting the previously mentioned post cycle, a sort of cool-down session both for them and for the listener.
Personally, I believe that with this record the evolution of music has ended, it has closed its cycle, and I wanted my Debaser alter ego to die along with it, and that was denied to me.
DOWN WITH CENSORSHIP!
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