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This split-album, the result of the work of two outstanding entities of the post-avant-whatever-it-is-black metal scene, will certainly not have gone unnoticed by the acolytes of the most wicked branch of all modern metal: the French entity Blut Aus Nord, exclusively owned by the good Vindsval, and the American duo Ævangelist, a young and sinister pair of noise-musicians Matron Thorn and Ascaris, emerge in the midst of this tumultuous 2016 with a work that, at least judging from the premises, seems to mark yet another step forward in their path studded with noisemaking, abstractionism, daring experiments, and assorted esoteric games - see the controversial cover art. Discover the review
This split-album, the result of the work of two outstanding entities of the post-avant-whatever-it-is-black metal scene, will certainly not have gone unnoticed by the acolytes of the most wicked branch of all modern metal: the French entity Blut Aus Nord, exclusively owned by the good Vindsval, and the American duo Ævangelist, a young and sinister pair of noise-musicians Matron Thorn and Ascaris, emerge in the midst of this tumultuous 2016 with a work that, at least judging from the premises, seems to mark yet another step forward in their path studded with noisemaking, abstractionism, daring experiments, and assorted esoteric games - see the controversial cover art.
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