Cover of Blonde Redhead Mélodie Citronique
MARIANI

• Rating:

For fans of blonde redhead,lovers of psychedelic indie rock,enthusiasts of multilingual music,listeners of alternative and experimental rock,readers interested in covers and reinterpretations
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THE REVIEW

"Melody Of Certain Damaged Lemons" was my favorite album during the winter season of 2000/2001.

In the cassette version, I added two tracks drawn from this mini, released in 2000.

The first, "Chi é e non é", is a song sung in Italian, with acoustic tones, vaguely psychedelic. Here, Amedeo's voice seems to recall Battisti. Delightful is the addition of piano notes towards the end.

The second is "Slogan". A cover of a song by the Gainsbourg/Birkin duo. The piece is sweet, sharp, and melancholic, dark and less lively than the original. Obviously, instead of Jane, here there's Kazu, who manages well with the French. A rereading with psycho Dub flavors in the finale, which adds that extra touch to the interpretation. Here in a less pronounced way, you can find sounds that will end up on the subsequent "Misery Is A Butterfly".

Practically the whole album is a reinterpretation. "En Particular" already in English on the LP, is here in French. The same happens with "Odiata per le sue virtù". Sung by a Kazu who seems drunk.

The only track in English is "Four Damaged Lemons". Which couldn't be sadder. Awesome!

F.Mariani

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Summary by Bot

The review praises Blonde Redhead's mini album Mélodie Citronique for its psychedelic and acoustic tones, multilingual tracks, and notable cover of Gainsbourg's 'Slogan.' The album is seen as a reinterpretation featuring haunting vocals and hints of sounds that later appear on 'Misery Is A Butterfly.' The overall impression is that of a delicate and emotionally rich work.

Tracklist Videos

01   En particulier (04:08)

02   Odiata per le sue virtù (04:44)

03   Chi è e non è (03:38)

04   Slogan (03:52)

05   Four Damaged Lemons (05:11)

Blonde Redhead

Blonde Redhead are a New York-based trio described in the reviews as consisting of Japanese singer/guitarist Kazu Makino and twin brothers Amedeo and Simone Pace. Reviews depict their early years as Sonic Youth-influenced noise-rock, followed by a shift toward more melodic, ethereal indie-pop/dream-pop with increased use of keyboards and refined arrangements.
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