Blind Guardian
Fly

THE REVIEW

They did it.
They did it again.
The German Bards have once more achieved what seemed impossible, that is, further renewing their sound while staying true to their compositional style.

This new, beautiful single indeed manages to remain 100% Blind Guardian while presenting an innovative sound for the four, once again different from what was showcased in the previous 'A Night At The Opera'. Truly incredible, they never cease to amaze us. Secondly, this mini CD is also the true test for the group's new drummer, who has had the daunting task of taking on the legacy of a drumming legend like Thomen 'Omen' Stachen. It must be said that, although the style difference is noticeable, he manages to hold his ground excellently. More will be seen live, but for now, the new drummer passes with flying colors.

Taking a closer look at the single, we see how 'Fly' presents itself as the typical fast-paced Blind Guardian piece, composed of chants, counterpoints, solos, electric vibrato, a rather limited use of the synthesizer (which ruined the group's previous work), and the usual energy that characterizes the music of the four bards. The echo of 'Somewhere Far Beyond' resonates a bit, but by the end of the listening, it's almost impossible to give a negative opinion of the track. The new work of Blind Guardian is therefore promising, and I'm more than optimistic about the success of the CD, which will be released in stores by the end of August. The two B-sides are also good: a delightful 'Skald And Shadows', which brings a great nostalgia for the great ballads of the past, and a cover of a sacred piece of modern music like 'In A Gadda Da Vida' by Iron Butterfly, which frankly represents the weak point of the single due to its uselessness... a cover we could definitely have done without, but still fun and unique, which deserves a listen but nothing more.

In conclusion, Fly represents an important new chapter in the history of Blind Guardian. And to those who thought they were done, well, think again, because once more the four bards have managed to pleasantly surprise us after more than twenty years behind them.