Black Majesty
Tomorrowland

The welcome return of Black Majesty has a propitious title: "Tomorrowland", the land of tomorrow, or the land of tomorrow, as someone used to say.

The reason is already explained by "Forever damned", which quotes: "Believer, you dreamer, where's the justice if you can't see it? Forever searchin' and seekin' for signs. Come dimensions away from home, to a place I'll decide, left beyond, find a way to your soul now that you know that forever, forever you're damned", followed by very high pitches and the inevitable solos of the two well-regulated and arranged guitarists, leading us to "Into the black", with whispered lines that suddenly find a culprit becoming bloody: "I'm weary in my disgrace, I hate to see your face, I want to see you drown in your sorrow!", accompanied by Janevski’s acoustic guitar. Already it is possible to glimpse the less obvious inspirations, namely Europe, both in the guitars and in the tempo. The next track has a very sweet melody but always grim lyrics; decentralized from the medieval/epic scope of previous works and more dreamlike. The title track is very beautiful: "Whispering shadows speak the last command, yesterday's tomorrow, come to an end, but wait for tomorrowland", with always refined and dreamy guitar chords.

The choice of the album cover is also excellent: "Soldier of fortune", which does not surpass the original, although John Cavaliere has a more expressive timbre than Coverdale. "Bleeding world" presents an antinomic variation that oxygenates with the syncope. Meanwhile, "Faces of war" quite reminds "Sacrified sons" by Dream Theater.
"Another dawn" also picks up the rhythm of "Bleeding world", a funeral dirge, aggravated by a stunning microphone performance, between lyrical and scream.

The album then concludes with another melodic reversal, preceded by a classical intro, subjecting the melody to chimes with beautiful lyrics: "...in amazement she lays in a bed, wondering into her head. The silence is broken by cries, a new, life has begun. The kingdom above, or the kingdom below, where will you end?" closing the album at 60 minutes o' clock.

To my ears, this is the band's most successful album.