Bill Evans (1929–1980) was an American jazz pianist known for his lyrical, impressionistic touch and influential piano-trio work.

Evans was a major figure in modern jazz noted for his trio interplay (notably with Scott LaFaro and Paul Motian), his contribution to Miles Davis's Kind of Blue, numerous collaborations (including Jim Hall, Eddie Gomez, Jack DeJohnette, Toots Thielemans) and recognized recordings such as the Village Vanguard 1961 sets. "At the Montreux Jazz Festival" won a Grammy for Best Instrumental Jazz Album (1969).

DeBaser reviews present Bill Evans as a lyrical, introspective pianist renowned for his trio interplay and delicate touch. Key albums discussed include Explorations, the Village Vanguard 1961 recordings, Moonbeams and You Must Believe in Spring. Reviews emphasize Evans' melodic clarity, emotional depth and lasting influence.

For:Listeners who enjoy lyrical, introspective jazz piano; readers of album reviews; jazz newcomers and long-time fans seeking album-focused perspectives.

 Bill Evans was an educated man.

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 It’s strange, but the first feeling I associate with this live recording is a profound annoyance... annoyance caused by the background noise that can be clearly heard during the musicians’ performances.

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 If you want to hear some drops, "Moonbeams" is a good start.

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