Cover of Big Chief Face
Kurtd

• Rating:

For fans of punk rock, stoner rock enthusiasts, 90s alternative and grunge listeners, followers of sub-pop label artists
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THE REVIEW

1991 Repulsion releases "Face" by Big Chief throughout Europe.

1992 Sub-Pop, seeing the potential of the Michigan quintet, decides to brand them for the United States.

As I mentioned before, "Face" is also tagged Sub-Pop, so is it grunge? I don't know this, but what I do know is that this album stands out for its punk rhythms instilled by Barry Henssler, whom we remember for having been part of "Necros," one of the first American punk bands, which disbanded in '88 after an illustrious career that saw them touring with names like the "Misfits" and "Megadeth."

In addition to punk sounds, you can glimpse touches of "Melvins"-style Stoner-Rock and a peculiarity that sets it apart from other albums by Big Chief, its slow and morbid pacing in the style of "Black Sabbath".

What else to say, an album that personally gave me a lot from the first listen, I hope it will be the same for you.

 

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Summary by Bot

Big Chief's 1991 album 'Face' combines punk rhythms with stoner rock elements and a slow, morbid pace inspired by Black Sabbath. Released in Europe by Repulsion and later by Sub-Pop in the US, the Michigan quintet's work stands out for its unique blend of genres. Barry Henssler's punk background enriches the album's sound, making it a noteworthy listen for fans of grunge and alternative rock. The reviewer found the album personally impactful from the first listen.

Tracklist Videos

01   Fresh Vines (03:50)

02   Drive It Off (03:27)

03   The Ballad of Dylan Cohl (04:32)

04   Desert Jam (05:31)

05   Honey-Legged (04:12)

06   500 Reasons (04:06)

07   Reduced to Tears (05:42)

08   Who's Gonna Do All That? (03:40)

09   Lie There and Be Good (05:24)

10   Wasted on B.C. (05:01)

11   (Fresh Flavor Remix) (03:16)

Big Chief

Michigan quintet; the album "Face" was released in Europe in 1991 and issued by Sub Pop in the United States in 1992. The review credits punk rhythms to Barry Henssler, formerly of Necros.
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