Norwegian band active since the early 1990s, noted for blending doom and metal roots with gothic and experimental elements before exploring electropop textures.

Reviews and contemporaneous sources note the band was active since the early 1990s, released Pity Love and Revelry, used brass instruments (trumpet/trombone) in their arrangements, and at one point released music on or had ties to Candlelight Records as mentioned in reviews.

DeBaser reviews present Beyond Dawn as a Norwegian act that blends doom/metal roots with gothic and experimental touches. Reviewers highlight unusual use of brass (trumpet/trombone), shifting moods across tracks, and a later move toward electropop. Both Pity Love and Revelry are singled out for originality and emotional depth.

For:Fans of doom/gothic/experimental rock and listeners who like unusual instrumentation and stylistic shifts.

 However, another name should be added to the list: Beyond Dawn.

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 Now, the album under review is a bizarre and lascivious chameleon, perverse in its change and also quite complicated to explain:

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