Okay, I admit it, I have a weakness for British folk, whether it mixes blues and jazz, has precious arrangements, or where the acoustic guitar takes the lead or the "padrona" since it's feminine.
This album, quite old since it's from 1965, belongs to the last "family" mentioned above; in fact, here a very young Bert Jansch accompanies his songs solely and exclusively with his intimate and melancholic guitar. The album, in fact, was recorded with a portable recorder in his London apartment at the time.
The album went rather unnoticed by most, even though, in reality, his "finger-picking," that unmistakable way of plucking the strings, soon influenced artists such as Nick Drake (who also covered "Strolling down the highway", contained in the album) and John Martyn to stay on the British island, but also Neil Young and Paul Simon across the ocean.
The album's atmospheres bring to mind both the early Dylan and the compatriot Donovan; however, Jansch's songs immediately appear darker, bittersweet, and decidedly less pop than some of the good Donovan's releases.
Intimate songs, primarily centered on love and friendship, but also drugs like "Needle of Death"... little folk gems interspersed with exclusively instrumental pieces where Jansch's virtuosity truly shines, such as "Alice's in Wonderland" by Charlie Mingus.
Highly recommended to fans of the genre and also to nostalgics of the atmospheres of an unrepeatable era.