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In 1984, one of the happiest artistic marriages Italian cinema remembers was defined: the irreverent and lively Benigni and the introverted and melancholic (or "melancolic"?) Troisi decided to make a film together. Discover the review
In 1984, one of the happiest artistic marriages Italian cinema remembers was defined: the irreverent and lively Benigni and the introverted and melancholic (or "melancolic"?) Troisi decided to make a film together.
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