Cover of Ben Folds Songs For Silverman
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• Rating:

For fans of ben folds,lovers of piano rock,fans of singer-songwriters,listeners who appreciate melodic and thoughtful songwriting
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THE REVIEW

Sometimes it only takes a few moments to understand the atmosphere. A few words and a handful of notes to know if what you're about to encounter is a bluff, all fluff, or genuine polished songs.
For Ben Folds' latest effort, it’s best to start with the solo piano intro of Gracie that brings to mind the best of Joe Jackson. The delicate play of crystalline notes sketches out a slender yet crystal-clear melody. Just a sigh more and then a light touch of cello joins in to support it, just a moment before the voice starts speaking of the conquest of a very young Grace.

From here, from these few dozen notes, it's almost certain, you understand that Folds is someone with talent. That he's a kindred spirit to songwriters like Elvis Costello or Randy Newman. One of those who has so many songs in his head that you can hardly keep up. Gracie, which comes as the fifth track on the album, is a little song that fits in one hand. So much so that it lasts just two minutes and forty seconds. You can't even say you like it before it's already over.
Not bad, for a musician, to know the art of timing and duration. A rare art, which the pianist must certainly be aware of if in that pearl that almost closes the album (Time) he repeats in the chorus with explicit clarity: "In time I will fade away, In time I won't hear what you say, In time, but time takes time you know". And in Late he laments the fact that it's been too late for too long ("It's been too late for a long time").
It almost seems like Folds followed the suggestions for the new (even though not so new) millennium that the admirable Italian (Italo Calvino) jotted down in what should have been his American lectures.

Ben Folds knows the art of essentiality and aims directly at the target (brilliant melodies, sometimes thoughtful, sometimes irreverent lyrics) without hesitation. In the last song (Prison Food) he sings "... a trace of me, it floats in my periphery, and every time I turn to see it goes". Folds aims at the goal without pause and hits the mark so many times that it almost makes you smile. Is that enough?

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Summary by Bot

This review praises Ben Folds' album Songs For Silverman for its genuine, polished songs highlighted by brilliant melodies and thoughtful lyrics. The delicate piano work, especially in tracks like "Gracie," showcases Folds' exceptional timing and musical subtlety. His songwriting evokes comparisons to legends like Elvis Costello and Randy Newman, blending emotional depth with irreverence. The album's concise and essential approach hits the mark repeatedly, making it a compelling listen.

Ben Folds

American singer-songwriter and pianist, frontman of Ben Folds Five turned acclaimed solo artist; known for piano-led pop/rock and witty yet poignant songwriting. Notable solo releases include Rockin' the Suburbs, Songs for Silverman and Way to Normal, plus collaborations like Lonely Avenue (with Nick Hornby) and So There (with yMusic).
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