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Tarr looks at the family, the cell that makes up society - a society, that described in his films, that has very little social, very little human. The camera, among the embraces and clashes of family members, is surplus, finds itself out of place in the dialectic of the family nest.
Tarr looks at the family, the cell that makes up society - a society, that described in his films, that has very little social, very little human.
The camera, among the embraces and clashes of family members, is surplus, finds itself out of place in the dialectic of the family nest.
Dive into Béla Tarr’s early work to discover the roots of his cinematic genius and explore profound family and societal struggles.
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