After the incredible and well-deserved success achieved with the previous "Mellow Gold" and "Odelay," Dr. Beck-Stein crafts a turning point album compared to the previous schizophrenic sounds.
He brings to life "Midnite Vultures," a plasticized, innovative record, but one that, starting from the cover, perfectly aligns with the content. In search of an ideal kitsch of the end of the millennium, Beck gives us his 360° interpretation of black music in all its nuances.
And here is the hybrid Sexx Laws that blends, in a single explosive cocktail, Wilson Pickett, Sly Stone, Herb Pedersen; raise your hand if you ever thought you'd hear his banjo and a lap steel in such a context.
And here the Beatles and early '80s electropop emerge. But surely the reference point is Prince, just listen to Nicotine&Gravy (featuring the guitar of Johnny Marr, ex The Smiths), Peaches&Cream and Debra.
Certainly not on par with the previous two works, but still a great album.