This is a slightly inferior effort for Banco compared to their previous masterpieces; the song format (which was already making its way through the tracks of the album "Come In Un Ultima Cena") replaces the long suites that had made the group famous. Nevertheless, we are still on good compositional levels, the songs are enjoyable to listen to, suspended between pastoral joy and underlying melancholy. The keyboard work of the Nocenzi brothers is always excellent, while Di Giacomo's singing seems a bit subdued.
Noteworthy among the songs are the reflective "E Mi Viene Da Pensare" and "Interno Città" (the longest of the lot).
Ultimately, an album that doesn’t possess the epic quality of its predecessors, but is more than valid as classy pop music.
It is a spring wind and light that envelop the listener, starting from the delicate gait of the instrumental “Ciclo”.
Banco bids farewell to the ’70s with an ideal prog epitaph, that ferries the group into the new decade. Not without sadness.