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Rating: LA RECENSIONE
Autechre are back. And forget about albums like "Incunabula" and "Tri Repetae." While keeping the techno rhythms high, you can feel dubstep influences, pounding subwoofers pushed to the peak of power, infrasonic frequencies distributed like bread, acidity of synthesizers, background noise, sudden openings to harmonic keyboards. All of this results in a dark ambiance.
Long suites that test the listener's endurance ("bladeroles") by changing sonic direction while maintaining the same basic theme; the opening of "irlite" is ten minutes in which it seems like Aphex Twin is dedicating himself to a dubstep composition obviously articulated in his own way (who knows if they stole some ideas from him). "Cloudine"—slow acid rap. There's also a lot of play with time and counter time ("T ess xi") and breaks like in "tuinorizn"; with sounds like electronic sitars in "1 1 is" (while devastation falls inexorably loudly), multitudes of echoes and delays on percussion and synth ("nodezsh", "YJY UX").
A strongly "dark" album, the first part absolutely plunged into darkness, the second seeing slightly more of the sunlight. Which puts the speakers to the test with its determined sounds. Pumped up. Certainly a new starting point for future productions.
Rating: 8
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Summary by Bot
Autechre’s Exai marks a new chapter with its intense fusion of techno and dubstep influences. The album features long evolving tracks, dark atmospheric layers, and complex sound manipulations. It challenges listeners’ endurance while highlighting experimental elements like electronic sitars and acid rap. Overall, it's a powerful and dark production pushing sonic boundaries.Tracklist Videos
Autechre
Autechre are an English electronic music duo (Rob Brown and Sean Booth) from Rochdale, active since 1987 and known for pioneering experimental IDM releases on Warp Records.40 Reviews
Other reviews
By MORPHEO 33
Exai is a mysterious musical question mark, a 2-hour-long monolith.
Exai is and remains their point of no return, 2 hours of descent into the inferno of what can and cannot be considered Music.
