Hungarian film director (born 1955) known for very long takes, sequence shots and slow, minimalist films such as Satantango and Werckmeister Harmonies.

Renowned for long sequence shots and a slow, enveloping cinematic pace; frequently associated with minimalist, existential and pessimistic themes. Key films in his internationally known oeuvre include Satantango, Werckmeister Harmonies and The Turin Horse.

The available review focuses on Bela Tarr's use of long sequence shots and fixed frames, highlighting Perdition as a turning point toward slower, more enveloping camerawork. The critic reads Tarr's style as minimalist, existential, and pessimistic yet deeply human. The review praises the film's ability to 'scan' and reveal the wretchedness of its characters through extended framing.

For:film enthusiasts, students of cinema, fans of slow/arthouse cinema

 Perdition marks a turning point in Tarr’s career as it deeply alters his directorial style.

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