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The new project of the hard-working Uwe Schmidt - about seventy [!] aliases under which he has published in the last 25 years - is conceptually the closest thing to robotics applied in music: electro-pop finely solipsistic in its deepest essence, eons more visionary and disturbed than the very last gasps produced by the aging original Dusseldorfian automata. Discover the review
The new project of the hard-working Uwe Schmidt - about seventy [!] aliases under which he has published in the last 25 years - is conceptually the closest thing to robotics applied in music: electro-pop finely solipsistic in its deepest essence, eons more visionary and disturbed than the very last gasps produced by the aging original Dusseldorfian automata.
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