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The thread of the album is crystallized in a constant and barely concealed melancholy, an impulse restrained by wisdom woven between the tormented songs of Tsutsui Kaori’s clarinet ("Wataridori"), supported at times by a moving piano ("Marching Grass on the Hill"), at other times by the vivid and brilliant rhythm of the guitar ("Waterfall"), then pouring onto the strings of Ito Kyoko’s violin, which impulsively radiates a bittersweet swirl of affection and remorse through its restless twirls, wrenching cries, and dark, passionate gothic dances ("Kami no Setsuri ni Idomu Mono Tachi", "Luminous Flower", "Bloodstained Roses"). Discover the review
The thread of the album is crystallized in a constant and barely concealed melancholy, an impulse restrained by wisdom woven between the tormented songs of Tsutsui Kaori’s clarinet ("Wataridori"), supported at times by a moving piano ("Marching Grass on the Hill"), at other times by the vivid and brilliant rhythm of the guitar ("Waterfall"), then pouring onto the strings of Ito Kyoko’s violin, which impulsively radiates a bittersweet swirl of affection and remorse through its restless twirls, wrenching cries, and dark, passionate gothic dances ("Kami no Setsuri ni Idomu Mono Tachi", "Luminous Flower", "Bloodstained Roses").
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