Cover of Art Garfunkel Some Enchanted Evening
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For fans of art garfunkel, lovers of jazz standards and classic american songs, and readers interested in thoughtful, emotional music reviews.
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THE REVIEW

There is something beautiful and painful at the same time about having to deal with one's own muddling. I have always loved the famous duo Simon&Garfunkel with quiet and admiring moderation. Some things I have always found excellent and certainly worthy of setting a standard, as they indeed have. Others have always seemed excessively sentimental and baroque. Still others, frankly quite useless, even though I have long since shelved the criterion of usefulness as a usable evaluation parameter: too extremist and subjective. I have always bought Paul Simon's records and silently despised Art Garfunkel's.

The first has always earned on-the-field credentials as a great songwriter, while the second is universally recognized as “nice little voice”, author of not-so-successful songs and co-author of stadium reunions. Good: I read that a new record has been released, which features only the presence of great classic songs from the American repertoire. But not from the songwriting repertoire...: we go from jazz standards to well-known background and dance hall tunes (both luxurious).

I download it (don't have the courage to buy it), I listen to it. I criticize it harshly. Baroque, banal, rhetorical, devoid of real content, very academic in both instrumental and vocal interpretations, naturally objectively impeccable. I listen to it again and criticize it again. I make a nice CD of albums in mp3 as a background for office work. I look at the list of records in memory in Nero's little window and say to myself: “obviously not Garfunkel, right...?” Obviously Garfunkel yes. I listen to it again. Again. Again and again. Still rhetorical, banal, baroque, and... yes... let's say it: useless. Very useless. Useless beyond measure.

Enough with self-imposed principles: an outrageously useless record. But. But there's a but... But I love it like crazy. It relaxes me, I hum along to it, I leave it on, very low, even when there's some customer... In short: a senile and absolute, foolish, and pseudo-adolescent infatuation. It is what it is. I can't do anything about it. And I live in the secret hope that my original and very severe judgment was wrong. And that I am instead the same as ever.

But deep down I know the horrible (and beautiful) secret: I have become muddled.

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Summary by Bot

The reviewer grapples with their complex feelings toward Art Garfunkel's latest album 'Some Enchanted Evening.' Initially critical of its academic and banal style, they find themselves unexpectedly drawn in by its soothing charm despite its lack of original songwriting. The album is described as both useless and deeply relaxing, evoking a bittersweet and personal attachment.

Tracklist

01   I Remember You (02:57)

02   Someone to Watch Over Me (03:23)

03   Let's Fall in Love (02:28)

04   I'm Glad There Is You (03:45)

05   Quiet Nights of Quiet Stars (Corcovado) (03:03)

06   Easy Living (03:37)

07   I've Grown Accustomed to Her Face (02:48)

08   You Stepped Out of a Dream (02:46)

09   Some Enchanted Evening (03:35)

10   It Could Happen to You (02:30)

11   Life Is but a Dream (03:43)

12   What'll I Do (03:04)

13   If I Loved You (03:09)

Art Garfunkel

Art Garfunkel is an American singer best known as half of Simon & Garfunkel and for a solo career marked by a distinctive tenor and refined, interpretive albums including Angel Clare, Breakaway, Watermark, and Scissors Cut.
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