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The Italian '70s giallo was not just Dario Argento, as many know, but saw a considerable number of directors, from diverse backgrounds and settings, engaging with a subgenre, or rather a language, that ensured maximum expressive freedom in the choice of locations, in photography, in the creation of real atmospheres, perhaps leaving actor direction in the background and, notably, making the employment of big names secondary, in favor of character actors, young debutants, or secondary figures, without significant additional costs for the production companies. Discover the review
The Italian '70s giallo was not just Dario Argento, as many know, but saw a considerable number of directors, from diverse backgrounds and settings, engaging with a subgenre, or rather a language, that ensured maximum expressive freedom in the choice of locations, in photography, in the creation of real atmospheres, perhaps leaving actor direction in the background and, notably, making the employment of big names secondary, in favor of character actors, young debutants, or secondary figures, without significant additional costs for the production companies.
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