The formula may seem predictable: four English guys from Sheffield form a rock band in 2003, soon earning the approval of both the public and critics... don't be fooled, these guys are not like all the others you've listened to while remaining "almost" impassive.
Original in everything, the Arctic Monkeys have not released a single album, and their success relies on word of mouth from fans and the internet. In June 2005, the turning point arrives with a contract with Domino that releases the single: I Bet You Look Good On The Dance Floor (who doesn't like it?!) and on January 30, 2006, the debut of the "arctic monkeys" titled Whatever People Say I Am, That's What I'm Not will materialize, a work that has been present in the virtual world for many months already.
Great drums, an insistent bass line, skewed and non-skewed guitars, and raspy voices chase each other in a work that is simple and fun but, at the same time, as surprising as a rock album should be: Mardy Bum, When The Sun Goes Down, Riot Van, Still Take You Home, and the already mentioned single are all tracks that appeal at first listen... discover the others on your own, you have one month, once the deadline passes, let's buy this album!
Three-quarters of this record is crap.
Rock and roll is really something else.
The dazzling sparkle of 'I Bet You Look Good On The Dancefloor' woke me from my THC dreams.
I hope the Monkeys saga isn’t a one-off and that we proceed to a slow (but not too slow) screwing of the record companies.
"A great debut album that paves the way for a great career."
"It’s a homogeneous album that follows a certain order but manages to always be innovative in mixing instrumental roles and sometimes reversing them."
What the hell is this damned mix of guitars played shoddily with a voice that makes Britney Spears shudder?
Did I say rock ‘n’ roll is dead? I meant to say: music is dead.
This is an album, yes, absolutely enjoyable, but certainly not a masterpiece or anything similar, an album in truth, just above mediocre.
It’s a record to listen to when you don’t want to dive into too demanding listens without it falling too much into the commercial.