Aphex Twin is a human being from Cornwall.

He made windowlicker. Windowlicker is beautiful in both video and audio format.
It is an EP, released in nineteenninety-nine two years after the bad Come To Daddy.

The video is beautiful because the women with whom Aphex plays in the video are beautiful, but they all have Richard's ugly face. And then the video is funny, because there's a woman with a monstrously ugly face. The record is beautiful because Windowlicker is beautiful, despite starting with a burp, and it shows that even songs that start with a burp can be beautiful. I like Windowlicker a lot. In Windowlicker, there's even (Strange Formula) that continues the record well. (Strange Formula) is beautiful, and I like it as much as Windowlicker because it is beautiful. Nannou sounds like a music box that you wind up with a key and closes the record well because it's beautiful too, and very sad.

Windowlicker is considered by some the summa of Aphex Twin. Why not, I say. If you haven't bought it yet, what do you expect me to say, that you should buy it? No, instead I tell you that I don't care about you and that you should mind your own business as I mind mine. Aphex Twin made a great record and I like it because he is very talented. I hope to become talented too in something, because I have the most developed sense of musicality found on Earth and surely more than you beasts. Surely. Regards.

ps:
I have found the relic of writing, therefore I write divinely, as can be seen from this review. I am very good at school with the Italian language, I am.

Tracklist Lyrics Samples and Videos

01   Windowlicker (06:07)

[Instrumental] w/ quote:
J'aime faire des croquettes au chien

02   ∆Mᵢ⁻¹ = −∂ ∑ Dᵢ[n] [∑ Fⱼᵢ[n−1] + F extᵢ[n⁻¹]] (05:47)

03   Nannou (04:15)

Loading comments  slowly

Other reviews

By The_dull_flame

 The opening 'Windowlicker' seems almost crude in its languid sighs and almost orgasmic rhythms, as if it were the theme song of a porn flick, but it is the demonstration of genius beyond the ordinary.

 A single that truly presents itself in clarity, never ambitious nor cacophonous as many other dance-house records appear, just an example of first-rate artistic madness.