After listening to this album at least twenty times in a row and realizing I'm absolutely not tired of it, a question arose in my mind: what does Richard James have in his head? How is it possible for someone to create an album so perfect in terms of sound, melody, and rhythm? And how is it possible to combine such diametrically opposed sounds without falling into banality?
The answer is called talent. Obviously, Richard has also had his share of missteps (Iâm referring, for instance, to certain albums under the pseudonym AFX), but after producing two monuments of ambient music like SAW and SAW2, finding a gem like this in our hands means only one thing: talent and love for music. And having listened to a lot of it, in a varied way. Diametrically opposed sounds like those violin tunes intertwining with purely obsessive drumânâbass lines created on the synthesizer (â4â, âGirl Boy Songâ); an organ-like sound rising over frantically acidic bases almost at the limit of break core (âCorn Mouthâ); the acidic lullabies (âTo Cure a Weaklin Childâ); but also the amazing airiness of a harmonic keyboard surrounded by something undefined, twisting upon itself (âYellow Calxâ). The enchanting âFingerbibâ is a triumph of simplicity (perhaps the best episode) and brings out the more "dreamy" side of Richard; acknowledging his acid origins, we find a dancing âCornish Acidâ and a sharp âPeekâ; âGoon Gumpasâ is the ideal soundtrack for some journey of a medieval hero in search of his princess. âLogon Rockâ and its liturgy close the album.
Put like this in two lines, the album doesnât give the idea of how it was truly composed. The meticulous attention to every detail and every level of sound ensures that the songs remain well etched in the mind, as if they were engravings on granite. Let's add that in 1996 no one had these ideas yet and even years later electronic artists are still inspired by this album (and also much of Aphex's discography)âŚ.. A milestone of electronics without any shadow of a doubt.
"A genuine and skillful masterpiece of electronic composition."
"Listening to 'Girl/Boy Song' was enough for me to fall in love with this record, coming home at 6 in the morning with 4 friends, destroyed and wasted after a party, with Aphex and his background notes clearing my mind."