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Unlike Antonioni, where everything is made explicit with the aim of achieving an almost screamed sensuality, Soderbergh’s episode is filled with an eroticism that doesn’t exist in strong scenes and leaves a lot to the viewer’s imagination; the result is a continuous crescendo of erotic charge. Discover the review
Unlike Antonioni, where everything is made explicit with the aim of achieving an almost screamed sensuality, Soderbergh’s episode is filled with an eroticism that doesn’t exist in strong scenes and leaves a lot to the viewer’s imagination; the result is a continuous crescendo of erotic charge.
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