Anthony Phillips
Sides

THE REVIEW

In the pop landscape, Anthony Phillips is quite a unique figure: in 1970, after just 2 albums, he left Genesis, a band destined for success, and retreated for 6 years to study music. Only from '77 onwards (the debut was the excellent "The geese and the ghost") did he dedicate himself to a solo career that over the years has distanced him more and more from the music business. A delicate instrumental music in the long series "Private parts and pieces", followed and known only by a small group of faithful enthusiasts. Meanwhile, to make a living, he specialized in composing soundtracks for nature-themed television programs...

Only this "Sides" (released in 1979), and even more so "Invisible men" from 1983, represent a timid attempt by Ant to approach more mainstream musical forms, in the hope of greater commercial success; a result that was never achieved! In this context, we can frame the easier tracks of the album, such as the reggae-inspired "Holy deadlock" or the light-hearted "Um & Argh" (sung by Ant himself) and "Side door". "I want your love" is another catchy, very sweet and melodic piece, sung by Dan Owen. But the best should be sought elsewhere. For example, in the bucolic and acoustic "Lucy will", with an almost psychedelic flavor, or "Bleak House", sung with pathos by Dale Newman.

The highlight of the album is represented by the 2 instrumental tracks: "Sisters of remindum" is the classic progressive piece, with an intense piano work, while the long and dramatic "Nightmare" alternates hypnotic phases with more solemn ones, concluding with rarefied keyboards reminiscent of Camel's cosmic music. Throughout the listening, here and there, references to Genesis' "Trespass" emerge, and this particular says a lot about how fundamental Phillips' contribution was to that legendary record. It should also be noted that "Sides" boasts the collaboration of skilled instrumentalists such as Mike Gills on drums, John Perry on bass, and Morris Pert on percussion, as well as production by Rupert Hine.

Ultimately, it is one of the most accessible works in Phillips' rich discography, yet enjoyable, recommended especially for those who love "vintage" atmospheres. Rating 3.5.

PS: One last note of praise for the delightful cover designed by Peter Cross: 2 table soccer teams in the likeness of Ant proudly face off, while from the stage between the balls, visual details of previous albums emerge!