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Anna von Hausswolff

Musician

Swedish singer and multi-instrumentalist born in 1986 in Gothenburg, known for her use of pipe organ and experimental drone/neoclassical music; daughter of artist Carl Michael von Hausswolff.

Frequently records and performs using large pipe organs (reviewers note the 1963 Marmorkirken organ in Copenhagen). Has been cited as opening for Swans. Sister Maria von Hausswolff has contributed artwork and choirs. Reviews reference themes of death, nature and Norse imagery; noted albums include Ceremony (2012), Dead Magic (2018), All Thoughts Fly (instrumental), and Iconoclasts (2025).

Reviews praise Anna von Hausswolff's organ-centered, experimental sound and powerful voice. Recurring themes include death, Nordic myth and liturgical atmospheres. Ceremonial and drone elements feature alongside neoclassical and doom influences. Iconoclasts is noted for relative accessibility compared with her earlier organ-driven records.

For:Listeners of experimental, drone, doom and neoclassical music; fans of organ-driven, atmospheric and melancholic art-pop.

 Keep your eyes open and stay alert.

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 listening to her Voice, not inappropriately definable as SUBLIME, we are already seeing her mourn the loss of her children and lay flowers on their graves

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 Anna von Hausswolff has never quite fit the mold of the classic singer-songwriter with a pretty face and a standard-issue guitar.

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 A mature, powerful, and vivid work.

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