Angelo Badalamenti
Twin Peaks: Limited Event Series Original Soundtrack

NIGHT LIFE IN TWIN PEAKS • PARLIAMENT OF OWLS

Diane, 11:30 a.m., February 24th. Entering the town of Twin Peaks.
She's filled with secrets. Where we're from the birds sing a pretty
song and there's always music in the air. ------- God, love this music.

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Ghostroom54. Diner Music.
Railroad Diner, the Lobbyists of General Motors and the Executives of Northern Pacific have Lunch at the Double R: Coffee, Cheese Omelette, Pancake, Barkburger special, Onion rings, King crab, Gooseberry pie. Northern Exposure: Cicely News & World Telegram. 37.50 Dollars on the Bill.
(The dishes are served with toast, hash browns, bacon or sausage)
Meanwhile, at night we live in a forest dream...
Woods of the Changeling - Change like the Weather. The owl’s backward speech reminds us to look into the darkness. Here there is always music in the air, enchanting, sensual, alienating, disorienting, a sort of paradoxically welcoming and sedative funeral music that translates from one dimension to another, without borders and without a center but which inexplicably has its own circumference, an abstract mood, a distant world, domestic and public phones, emotionally detached and physically isolated, yet more invited to a form of love. Dissonance, suspension, consonance, deep bass drum beats, sidereal but parallel, deep, hypnotic Dark Mvzak. (The) Circumference of a Circle.

Ghostroom92. Rain Music.
Road to Deer Meadow. Mornings are for Coffee and Contemplation.
A heavy drum thunders from the depths of the night.

Twin Peaks: Limited Event Series Original Soundtrack [Rhino Entertainment] is the soundtrack of the third season of the series released in 2017. The soundtrack is almost exclusively attributed to Angelo Badalamenti, featuring unreleased tracks and revivals from the first two seasons of the TV show, accompanied by a separate twin disc featuring the diegetic stage of the Roadhouse aka The Bang Bang Bar from the broadcast with headliners such as: Chromatics, Trouble, The Veils, Rebekah Del Rio, Nine Inch Nails, The Platters, Otis Redding, Booker T. & The MG's, Julee Cruise. This is followed by a pair of sound design and field recordings anthologies curated by Dean Hurley for Sacred Bones Records published between 2017 and 2019: Anthology Resource Vol. 1 & 2 △△. Shapeshifter BOB.

Bookhouse is opening. Once again, we delve into immobile psychogeography, losing ourselves in air-conditionings within night diner environments and in rain dreams awakened by a winter’s voice. An interstitial state of verbasiser non-sequitur outside the sequential logic of any bookstore. The comparisons are unkind. The eternal compilation of the first two seasons from 1990 remains unattainable, from which it is still unclear why the first compilers left out pieces like Blue Frank, Sycamore Trees, and New Shoes, all subsequently relocated elsewhere among albums of later seasons, film scores, and the 2012 ARCHIVE. Hap's Diner: Bookshop is closing.

Among the guests of the Bad Angel is a remix by the director, Johnny Jewel, then a Threnody for the victims of Hiroshima, a shining. Krzysztof Penderecki was already present in Shining.
Bodies, lights and space junk, elements have appeared triply fast in the sky and have already vanished, everything in the sound of the name in the time of innocence. The distorted American woman. The relaxed release of a tremendous goodbye... Death is just a change, not the end. A tragedy that would have destroyed and torn to pieces any other person opened her heart and soul to a deeper truth. A sweet and infinite sadness and terrible emotion take hold of the sensitives. The wind swept away, disturbed new frequencies, a slow room, the electricity in the air, the headless chicken thought gang collapses; the man from the dream dances from another place, we live a dream through time moving inside a forest, a non-place incessantly generating renewed non-worlds in a single Slow_Room. Resolution ~ interference ~ Dissolution. Music from Twin Peaks.

July 16, 1945. Alamogordo, 05:29 am, the door opens.
August 69, 4591, the doors of Hell are finally thrown open.
Three triangles on the purple sea, the unfolding of events is for the most part incomprehensible to conscious life, so why should films and TV series presume to provide any pattern? The creators of Ghostwood Development forest didn’t do it.
Norma has uprooted The Secret of Daily Bread, she understood, and surely already knew, that in diners there is truth, looseness and life, in food chains and starred restaurants the posticcio fiction, forced composure and death. Audrey Horne. Today she dances backward and then, devastated, returns to some secret rooms. Bobby today is Robert Briggs. Doppelgänger. But Andy will have, has, was born with a pure heart and Lucy is his cosmic completion and in the White Lodge there has been, will be, has happened an interception, a deviation. Bill, they exist at a different pressure. Naked Lounge.
Night Life of Movie Soundtracks.
Thirty-two years ago, at the Roadhouse, suddenly everyone started crying without knowing why. They started crying and cried.
The desire for murkiness that was, the uncanny which made them weep in solitude.
On March 28, 1989, Agent Cooper disappeared from the world for 25 years.
The past dictates the future. 6 (324810) Ø The chrome reflects our image.
Drink full and descend. THE AIR IS ON FIRE.

A drum brushes away in the heart of the night.
Nights are for Coffee and Real Indications. Back to Missoula.

Ghostroom81. Night Music.
Broken lights, natural nights, service stations left alone in their illumination, echoes.... Driving the roads late at night can be an ever-new experience. On the engine, unexpected dynamics and never-thought correspondences, bluish light radiations from lit televisions at two in the morning filtering from house windows. Plotting routes while crossing the Owl Woods with the half-moon making portraits. Evil dances in the beauty of darkness. Entering the night in the forest deeply asleep. Night and peace, and evil with its methods of seduction of hermetic dances of dark rapture. Evil dances at night in suspension. It dances in its beauty, a spell that drags the good of the night into its pit and devours it with its intriguing and capricious music of fluttering clarinets, synthetic orchestrations, saxophones, flutes and pandemoniac brass, country and western twang, barbituric double basses, deep and out-of-tune bass drums of late midnight, between the dark shuffle and the blue, the ethereal, the subterranean and a '30s gramophone. Big Band: Wedding & Funeral Beats.
NIGHT FILE 59 Confidentials. The World Spins in silence in again. ELECTRICITY.