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❝ Tarkovsky does not have a seat in the Olympus of great directors; he has an armchair, therefore "Solaris" (1972), being his most famous work (debates could arise whether it is also the most beautiful), must be labeled as a masterpiece.
❝ Like in his masterpiece The Mirror, Tarkovsky prioritizes 'subjective logic' over 'the logic of the subject'.
❝ «Two guys are accompanied by a man who calls himself the Stalker; it's unclear where they're going, then it all becomes something metaphysical... an extremely heavy film, but one that touched me deeply.»
❝ The call to another place, which is present in all Andrej's films, is pure religiosity that addresses our inner God, our true master.
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